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\nCurrent exhibition<\/h2>\n<\/blockquote>\n
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There is currently no temporary exhibition open to the public.<\/span><\/p>\n
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\nPrevious exhibitions<\/h2>\n<\/blockquote>\n
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Sorolla y las reliquias<\/strong><\/h3>\n
Una oportunidad \u00fanica para contemplar dos magn\u00edficas obras del pintor Joaqu\u00edn Sorolla<\/em>
Del 16 de noviembre de 2023 al 31 de enero de 2024<\/strong><\/p>\nProrrogada hasta el 29 de febrero<\/span><\/strong><\/p>\n
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Una oportunidad \u00fanica para contemplar dos magn\u00edficas obras del pintor Joaqu\u00edn Sorolla y, en paralelo, adentrarnos a trav\u00e9s de m\u00e1s de medio centenar de objetos en un mundo que combina la religiosidad con el arte: el de las reliquias y los relicarios.<\/strong><\/p>\n
El Museo de Arte Sacro, con la colaboraci\u00f3n directa del Museo de Bellas Artes de Bilbao, se une con esta exposici\u00f3n a los actos conmemorativos del centenario de la muerte de Joaqu\u00edn Sorolla (Valencia, 1863-Cercedilla, Madrid, 1923).<\/strong><\/p>\n
La pintura religiosa de Sorolla<\/h3>\n
A Sorolla le identificamos especialmente con los paisajes costeros en los que despliega un notable tratamiento de la luz y el color. Pero tambi\u00e9n destac\u00f3, sobre todo al comienzo de su carrera, por sus escenas costumbristas de tem\u00e1tica religiosa. Entre ellas sobresalen los interiores de iglesias, de los que son magn\u00edficos ejemplos El beso de la reliquia y Mesa petitoria, cedidos por el Museo de Bellas Artes de Bilbao para esta exposici\u00f3n.
En El beso de la reliquia el artista muestra su gran capacidad para articular una abigarrada composici\u00f3n en la que destaca un h\u00e1bil dibujo y el uso maestro de la luz y el color. En una capilla lateral de la iglesia de San Pablo de Valencia, el p\u00e1rroco presenta una reliquia para ser besada por una heterog\u00e9nea feligres\u00eda.<\/p>\nPor su parte, en la Mesa petitoria se combina espl\u00e9ndidamente una paleta de colores tierra y grises con los toques de luz generados por las velas. Obra de car\u00e1cter esbozado, el cuadro recoge el instante en el que unas mujeres sentadas a una mesa piden y recolectan donaciones y ofrecen art\u00edculos devocionales durante el culto.
Pero la exposici\u00f3n va m\u00e1s all\u00e1 de estas dos brillantes obras de Sorolla. El beso de la reliquia nos acerca al mundo de las reliquias. Devoci\u00f3n popular, creencias, mentalidades…<\/p>\nLas reliquias…<\/h3>\n
El culto a las reliquias se inici\u00f3 ya en los primeros momentos del cristianismo, cuando eran venerados los restos de las y los m\u00e1rtires.
Durante la Edad Media se extendi\u00f3 por todo el mundo cristiano. En un tiempo en el que eran corrientes la inseguridad, la enfermedad, el hambre… la gente buscaba protecci\u00f3n y ayuda en los poderes celestiales. Y las reliquias, los restos de santas y santos, se convirtieron en sus intermediarios.<\/p>\nLa reliquia era un resto tangible, material, de la santidad. Pod\u00eda interceder ante lo sobrenatural. Pod\u00eda recibir de forma directa los ruegos y s\u00faplicas del devoto y atenderlas de forma inmediata, solucionando problemas concretos que planteaba la vida cotidiana: una enfermedad, dificultades econ\u00f3micas, asuntos familiares\u2026<\/p>\n
Signo de prestigio y de ortodoxia, el mundo del barroco conoci\u00f3 un resurgir de este culto de las reliquias, que se mantendr\u00eda vivo pr\u00e1cticamente hasta nuestros d\u00edas.
Hoy, en una sociedad cada vez m\u00e1s laica, el culto por las reliquias parece haber desaparecido. O tal vez ha cambiado de protagonistas.<\/p>\n\u2026 y los relicarios.<\/h3>\n
Las reliquias deb\u00edan estar protegidas en un estuche adecuado, digno de su contenido: el relicario. Y la exposici\u00f3n Sorolla y las reliquias dedica buena parte de su espacio a mostrar la variedad de estos contenedores.
Sirvan como ejemplo la lipsanoteca de la ermita de San Lorenzo de Ozerinmendi (Zeanuri), que puede remontarse al siglo XII o la mano de plata del Gorputz Santue (Cuerpo Santo) de Errigoiti, una momia natural que ya desde el siglo XVI curaba problemas del habla, como la tartamudez.<\/p>\nLas tipolog\u00edas son muchas: con forma de cilindro (como la del cuadro de Sorolla) es la de Abadi\u00f1o, y las hay de tipo custodia (Sukarrieta, Markina), cruz (Berriz), obelisco (Bermeo), pir\u00e1mide (Lekeitio), templo cl\u00e1sico (Berriz)\u2026 Y los materiales: sobre todo los hay de plata, pero tambi\u00e9n de madera, lat\u00f3n, tejido\u2026<\/p>\n
Adem\u00e1s, est\u00e1n los relicarios colgantes o las estampitas-relicario, como la que nos muestra una crucecita realizada con madera de un avellano plantado por Santa Teresa.<\/p>\n
Unas veces contienen una \u00fanica reliquia, pero otras son cientos de ellas: \u00a1362 acumula el relicario arquitect\u00f3nico del convento de la Vera Cruz en Berriz! (ordenadas adem\u00e1s por meses).<\/p>\n
Entre las m\u00e1s valoradas est\u00e1n las relacionadas con Jesucristo, especialmente los Lignum crucis, presuntos fragmentos de la cruz en la que fue crucificado. Tres de ellos pueden verse en la exposici\u00f3n, piezas barrocas de los siglos XVII y XVIII procedentes de la catedral de Santiago y de la iglesia de los Santos Juanes (Cofrad\u00eda de la Vera Cruz) de Bilbao y de la iglesia de San Juan Degollado de Molinar, en Gordexola.<\/p>\n
Un cap\u00edtulo especial merecen las reliquias de contacto: objetos que han tocado a las y los santos. En la exposici\u00f3n pueden verse algunas estampas con hojas y flores \u201ctocadas al Santo Sepulcro\u201d. Pero la pieza m\u00e1s destacada es la m\u00e1scara mortuoria de la beata Rafaela de Ybarra, conservada por la Congregaci\u00f3n de los \u00c1ngeles Custodios en Bilbao.<\/p>\n
El ritual<\/h3>\n
Otro aspecto que se refleja en la exposici\u00f3n, tomando como referente El beso de la reliquia de Sorolla, es el de la vestimenta y el \u201caparataje\u201d de este acto y de otros similares, como se aprecia tambi\u00e9n en la Mesa petitoria.<\/p>\n
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Conferencias<\/h2>\n
La exposici\u00f3n se complementar\u00e1 con dos conferencias:<\/p>\n
Conferencias aplazadas. Nuevas fechas.<\/strong><\/p>\n
\n
- 1 de febrero de 2024 a las 19:00:<\/strong>
“Sorolla y la pintura religiosa”, por Javier Novo Gonz\u00e1lez, Coordinador de Conservaci\u00f3n e Investigaci\u00f3n del Museo de Bellas Artes de Bilbao.<\/li>\n- 8 de febrero de 2024 a las 19:00:<\/strong>
“El mundo de las reliquias en Bizkaia”, por Raquel Cilla L\u00f3pez, Responsable de la Colecci\u00f3n del Museo de Arte Sacro, y Juan Manuel Gonz\u00e1lez Cembell\u00edn, Director t\u00e9cnico del Museo de Arte Sacro.<\/li>\n<\/ul>\nAforo limitado. Es necesaria reserva.<\/strong><\/p>\n
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Guided tours<\/h2>\n
Adem\u00e1s se realizar\u00e1n visitas guiadas a la exposici\u00f3n. En alrededor de 30 minutos nos acercaremos a las obras de Sorolla y desde ellas viajaremos al mundo de las reliquias y los relicarios.<\/p>\n
\n
- D\u00eda 13 de enero: 12.00 h<\/li>\n
- D\u00eda 20 de enero: 12.00 h<\/li>\n<\/ul>\n
Precio: 5 \u20ac\/persona<\/p>\n
Para visitas de grupos de m\u00e1s de 8 personas se podr\u00e1 realizar en otra fecha a determinar.<\/p>\n
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Shame. European stories<\/h3>\n
Victims of child abuse share their stories
From 16 February to 15 March 2023<\/strong><\/p>\n[\/et_pb_text][et_pb_image src=”https:\/\/eleizmuseoa.com\/wp-content\/uploads\/Exposicion-SHAME-slider.jpg” alt=”Exposici\u00f3n SHAME” title_text=”Exposici\u00f3n SHAME” _builder_version=”4.20.0″ _module_preset=”default” border_radii=”off|10px||10px|” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”#FFFFFF” _builder_version=”4.23.1″ _module_preset=”default” quote_text_color=”#FFFFFF” header_3_font=”|600|||||||” global_colors_info=”{}”]<\/p>\n
An exhibition that sought to shed light on an issue that affects us all: child abuse.<\/p>\n
The rights and dignity of thousands of children across Europe have been violated. Violations that have occurred in various contexts and in various ways.<\/p>\n
The exhibition was intended to give visibility to these children, now adults. Their portraits, large black and white photographs, and their own words denouncing the shame: the unjustified shame that intoxicates those who have suffered violence; the shame that those who have abused should feel; and the shame of a Europe that fails to manage this dramatic situation.<\/p>\n
To raise awareness; to promote legislative changes; to break the silence, the stigmatisation, the impunity, the cover-up and even the complicity. These were the objectives of the exhibition.<\/p>\n
Exhibition organized by the Guido Fluri Foundation (Switzerland) and Justice Initiative, with photographs by Simone Padovani.<\/strong><\/p>\n
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Luis Paret in Bilbao<\/h3>\n
From 9 July to 17 October 2021<\/strong><\/p>\n
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The painter Luis Paret y Alc\u00e1zar (Madrid, 1746-1799), a strict contemporary of Goya, was one of the best representatives of the Rococo aesthetic imported from France. His eventful life led him to settle in Bilbao between 1779 and at least 1787. During this time Paret was intensely active in the town, where he left an impressive artistic mark. He painted, but also designed furniture, altarpieces and fountains, decorated public and private rooms… This was probably the richest and most varied period of his production.<\/p>\n
The double exhibition – split between the Museum of Sacred Art and the Bilbao Fine Arts Museum – brought together a wide range of works by Paret produced during his stay in Bilbao. It also included works by other court artists who worked for\/in Bizkaia in those years and by local artists who followed in their footsteps. The aim was not only to show the work of Paret, but also the aesthetic change that the Territory was undergoing at that time, from Rococo to Neoclassicism, a leap in which the painter from Madrid had a great deal to say.<\/p>\n
The exhibition was complemented with other activities: guided tours of the places where Paret lived and worked, some by land and others by river; installation of panels with works by Paret in the places in Bilbao where Paret had painted them (in order to contrast the paintings with the current reality); restoration of one of the fountains designed by Paret (the one located in the Plaza de los Santos Juanes); and an Art Conference in the form of a congress on the subject studied.<\/p>\n
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Our exhibitions Current exhibition There is currently no temporary exhibition open to the public. Previous exhibitions Sorolla y las reliquias Una oportunidad \u00fanica para contemplar dos magn\u00edficas obras del pintor Joaqu\u00edn SorollaDel 16 de noviembre de 2023 al 31 de enero de 2024 Prorrogada hasta el 29 de febreroUna oportunidad \u00fanica para contemplar dos magn\u00edficas […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-782","page","type-page","status-publish","hentry"],"yoast_head":"\n
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